New York was an obvious theme that John Wood, 21st Editions Editor and co-founder, gravitated toward. Our previous collaborations with Sheila Metzner in The Journal of Contemporary Photography, Volumes II and V, helped us to understand the life-long and very close connection that Sheila had with Brooklyn, the Brooklyn Bridge, and New York, not unlike Walt Whitman and Hart Crane, poets of the two greatest epic poems on America ever composed. It was with Sheila's great enthusiasm and excitement that she accepted John's proposal to be paired with both in New York (2000) and The Bridge (2007). New York was the very first Platinum Series title for 21st Editions and became even more significant a year later, since many of the images were taken from the top of the World Trade Center. After 9/11 and out of respect, we chose not to show the book publicly for quite some time. Now a very rare and hard to find title, it set the stage for New York as a reoccurring theme for the press.
John Wood calls MacLean Gander's The New City (2008) the greatest epic poem on America since those by Whitman and Crane. In his introduction, John writes that "Hayman's images and Gander's words are a perfect pairing, not that the photographs illustrate the poems or that the poems describe the pictures. In fact, neither of these artists knew each other prior to this book, but they both create a sensuous, beautiful, yet realistic and contemporary meditation on New York and on the larger American experience that New York suggests..."
We met Jefferson when he was an aspiring artist and frame maker in New York at one of his earlier showings in the middle of an antique car gallery. We were immediately sold and knew we wanted to work with him at some point in the future. Jefferson Hayman's images of New York in The New City not only capture the spirit of the city but they bring us back in time and revisit the New York of Coburn, Steichen, and Stieglitz. Hayman's photographic style is synonymous with the artist himself - refined and respectful, creating economical compositions that leave the viewer completely satisfied.
Greg Gorman first approached us in 2000 at Photo LA when we first were showing a prototype of New York. In 2003 Greg worked with us on creating a set of large gum-over-platinum prints of two of his iconic images, Rex and Gregory and Tony. It wasn't until 2007 that the timing seemed to be just right for a Platinum Series book/print set, at which point John Wood saw the perfect match with The Odes of Pindar. Greg's persistence and enthusiasm led us to this book and for that we are eternally grateful. Mac Holbert of Nash Editions was part of the proofing process with Greg for the 11 platinum prints that would be included. After Mac saw Greg's book and loved it, he suggested to Graham Nash that we work together, which then led to Love, Graham Nash (4 years in the making).