Although McCurry is best known as a color photographer, we have printed these images in platinum. There are two reasons for doing this. The first is to highlight the degree to which McCurry's work needs to be appreciated not only in the tradition of documentary, but also as a fine-art photographer. Critics typically refer to him as a documentarian. And yet the subtle tonal ranges and luminescence of these prints, coupled with the artistry of their compositions, reveals that they are at least as much "pictorial" as documentary. They explode the lingering and largely false dichotomy between fine-art and documentary photography.

...these platinum prints showcase new forms of McCurry's humanity, as compelling as their color counterparts. One might say that in different ways, each format highlights connections: between photographer, subject, and viewer; and/or among the people in the images. In both formats, it is as though McCurry penetrates beneath the surface into the heart and spirit, giving us a unique intimacy with his subjects. In doing so, he enlists his subjects as evangelists as few artists have done, bringing people together from around the world.

- from the introduction by John Stauffer