In 2002 we announced our inaugural Silver Series title, Cante Jondo, with hand-toned silver gelatin prints by Josephine Sacabo. The Silver Series allowed us to follow the trajectory of our Platinum Series monographs while giving us the opportunity to honor yet another important photographic technique, the silver-gelatin print.
I have heard more people than I can recall describe their first experience of seeing a Josephine Sacabo image. They say things like "I loved it"or "I just had to have it." I remember my own experience on first seeing one of her works; it was like an electrical charge rising out of the image and directly striking me. I thought, "I want to be able to look at this image every day for the rest of my life."
Our inarticulate attempts to describe the effect of her work is the result of having confronted Sacabo's duende, having been brought close to the precipice, and having felt, in the words of Spain's great poet Lorca, that "jet of blood worthy of her pain and her sincerity"that the duende inspired.
From the moment I made my first gravure, I realized I've been trying to do this for thirty years in the darkroom . . . jumping through every hoop I can think of to come up with this effect. This is what I've been looking for . . .